I have been to the National Museum of Modern Art, Tokyo the Crafts Gallery. Mutsuo Yanagihara 's work was very original.
Mutsuo Yanagihara is famous potter in modern japan. He is Professor Emeritus Osaka University of Art.
He uses silver or gold for his pottery. It is influenced by traditional japanese painting¬ that use silver or gold -rinpa. Also he love oribe pottery.
He father is doctor. So he can make pottery freely than the man who is his father is potter.
He learn potter at art university in kyoto. He was taught by Kenkichi Toyomoto-famous
potter in modern japan at that university.
He has been to America several times. He has worked at University in America. So he had influenced by American modern art-vivid color and form.
1934 Born in Kochi Prefecture
1960 Graduated from Kyoto Municipal University of Art
1966 Invited to be a guest lecturer at Washington State University Ceramics Department
1967 Solo exhibition, Washington State University Art Gallery
Returned to Japan and became Assistant Professor at Osaka University of Art
1971 Accepted to Firenze International Ceramic Art Exhibition, First Japan Ceramic Art Exhibition
1972 Invited to be Assistant Professor at Alfred State College, New York
Assistant Professor at Scripps College
1974 Returned to Japan, holding many solo exhibitions around the country
2002 Awarded Gold Prize, Japan Ceramics Association Prize
At the National Museum of Modern Art, Tokyo the Crafts Gallery we can see several pieces produced by modern artists including bearers of important intangible cultural property.
I visited Lucie Rie A Retrospective in chiba city museum yesterday.
At Lucie Rie A Retrospective, In her later days interview Lucie Rie said she did not has "biscuit firing".
She just dried her pottery, glazed and dried, then fired. So the glaze and clay has less fit. The glaze become thick and glassy.
Also old Imari ware did not has "biscuit fireing". So the glaze and clay has less fit. The glaze become thick and glassy.
Lucie Rie is sometime said oriental. I like her work very much.
Lucie Rie A Retrospective in chiba city museum
The Japanese first started to produce porcelain in the Arita region of Saga Prefecture in the 1610s. It was shipped throughout Japan and abroad from the port of Imari. It is known as Imari ware
aroud world. Now Imari ware is still popular.
In the Arita region Fomous Kilns (ex. Gen-emon Kiln-arita porcelain) are highly regarded Old Imari ware.
The special feature of Old Imari ware is
"a lot of glaze"
Imari ware did not has "biscuit fireing". So the glaze and clay has less fit.
The glaze become kind of mass. The glassy mass of glaze looks beautiful by reflecting light. It looks "a lot of glaze"
I visited Kaki-emon Kiln in arita last holiday. At the Kaki-emon museum, We can see 13the, the 14th and the 15th, Kakiemon Sakaida. I prefer 13th than the 14th(ex-the head of the Kakiemon family).
Yesterday I read a book(現代陶芸家列伝) about famous potter in Japan. At that book 13th said 14th(ex-the head of the Kakiemon family)"Paint white space!"
I prefer 13th because of white space of his porcelain is beautiful at the Kaki-emon museum in Arita.
Also You can see Kaki-emon porcelain within some period of time at toguri-museum in Tokyo.
I made the flower vase by using the technique of West Africa at the special Sogetsu HQ Plastic Arts Course.
Teacher was Machiko Ogawa. She is famous airtist.
Her pottery is sole out at her exhibition in Tokyo.
She has been to West Africa for several years with
her husband. She make her pottery by the technique of West Africa
"bang and stretching"
1 prepare the pottery that is the ball size.
2 put the cray at the pottery that is the ball size
3 beat clay with a stick and stretch it out
This Decoration is like flower petal. We cald it flower petal Decoration(輪花).
Often flower petal decoration made for white dishes.
This Decoration is very feminine and delicately beautiful.お花が咲いたようなデザインの輪花皿や菊皿。可憐なデザインで、和食にも洋食にもとても使いやすく人気です！
Today I write about major Decoration technique of Mashiko pottery, “KOHIKI”.
“KOHIKI” is pottery’s white Decoration. “KOHIKI” means “pull powder” in Japanese.
Before Glazed, nomal brown clay coverwed with white clay. It’s more natural and warmer white than porcelain`s white.
“KOHIKI”-white ecoration pottery is easy to use daily meal. “KOHIKI” suits decorated table setting. Useing “KOHIKI” Pottery, we can feel natural clay and lands’ warmth.